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Jul 23

Reporting from the Third Annual Encaustic Painting Conference – Encaustic with a Textile Sensibility (Part 1)

Posted on Thursday, July 23, 2009 in Uncategorized

While at the Third Annual Encaustic Painting Conference this June, I attended many great talks and demos. One of my favorites was a talk given by Daniella Woolf, Encaustic with a Textile Sensibility. She described a “textile sensibility” as anything that references cloth, so the piece does not have contain cloth, only reference it, to qualify.

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This workshop was a wonderful overload of visual stimulation and inspiration (we were shown the work of 40+ artists), so I have decided to do this post in parts. For Part 1, I want to share a few artists who incorporate actual textiles into their work in some way (click on artist’s name for images on individual website).

Daniella Woolf incorporates textiles into encaustic by sewing objects together and coating or embedding them with the wax medium. A piece I find particularly stunning is Beauty at My Feet, which features eucalyptus leaves sewn together.

Cari Hernandez mixes encaustic with silk in this beautiful piece, Four Channel.

Lorrie Fredette combines encaustic, sculpture and textiles in this installation called A Pattern of Connections.

apoc det 2 Reporting from the Third Annual Encaustic Painting Conference   Encaustic with a Textile Sensibility (Part 1)

In Part 2, I’ll share artists from Daniella’s talk whose encaustic works allude to textiles. Click here for Daniella’s online version of the talk.

Have you tried including fabrics in your encaustic works? Any other artists who do this that you’d like to share?

Bring on the comments

  1. [...] wonderful workshop given by Daniella Woolf, Encaustic with a Textile Sensibility. (Click here for Part I.) This part will focus on encaustic artists whose work references fabric in some way, so that it [...]

  2. [...] Painting Conference, Encaustic with a Textile Sensibility. (In case you missed it, catch up on Part I and Part II.) In Part III, we will see textile artists who could use a “medium [...]

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