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Aug 7

Reporting from the Third Annual Encaustic Painting Conference – Encaustic with a Textile Sensibility (Part 2)

Posted on Friday, August 7, 2009 in Uncategorized

Hello bees!

It’s time for Part II on the wonderful workshop given by Daniella Woolf, Encaustic with a Textile Sensibility. (Click here for Part I.) This part will focus on encaustic artists whose work references fabric in some way, so that it has a textile sensibility but does not necessarily contain textiles within the work.

red white fabric Reporting from the Third Annual Encaustic Painting Conference   Encaustic with a Textile Sensibility (Part 2)

Let’s start with Carlos Estrada-Vega. This pieces incorporates oil, pigments, oleopasto and wax to create a beautiful patchwork look.

estradavega liesje Reporting from the Third Annual Encaustic Painting Conference   Encaustic with a Textile Sensibility (Part 2)

Next up, we have Robert Larson. Larson creates his pieces using discarded cigarette packages, weaving them into a geometrical tapestry, such as this piece titled Adventure Team.

adventureteam Reporting from the Third Annual Encaustic Painting Conference   Encaustic with a Textile Sensibility (Part 2)

And lastly, Deborah Kapoor uses encaustic and paper on wood to create her beautiful pieces. I wish I had a quilt with this printed on it!

1 15kapoor Reporting from the Third Annual Encaustic Painting Conference   Encaustic with a Textile Sensibility (Part 2)

Stay tuned for Part III of this post, where we explore textile artists that would be great in encaustics.

Again, click here for Daniella’s online version of the talk.

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