Reporting from the Third Annual Encaustic Painting Conference – Encaustic with a Textile Sensibility (Part 3)
Hey there, busy bees!
Welcome to Part III of my report on the great workshop given by Daniella Woolf at the Third Annual Encaustic Painting Conference, Encaustic with a Textile Sensibility. (In case you missed it, catch up on Part I and Part II.) In Part III, we will see textile artists who could use a “medium makeover,” meaning their work/style would suit encaustic well.
Kyoung Ae Cho is a fiber artist who often burns markings into her work. Blowtorch, anyone?
Aura I, Corn leaf, silk organza, thread
Penny Young is a sculptor and installation artist. Can’t you imagine this impressive piece held together with wax?
Clerical Vortex
Clerical Vortex, detail
Next up is Will Marino. Here is a piece from his “paper series.”
Ice Flow, cut paper
Lastly, let’s look at Lisa Kokin’s sewn photographs.
Best Wishes, sewn found photographs, batting, paper
I know I have my own personal wish-list of etsy artists I would love to see use wax in their work. Who do you think should become an encaustic convert?
(As always, click here for Daniella’s online version of the talk.)
Week of July 13
Annoucements:
1. New co-leader and upcoming podcast!
Our team continues to grow and get more involved, so we asked Melissa Hronkin to join us as a third co-leader! Melissa Hronkin will have a lot to contribute to the team from both a beekeeper’s and an encaustic artist’s perspective. She’ll be writing interesting articles (look for a new section called THE BEE’S KNEES), and will be in charge of our annual February fundraiser “For the Love of the Bee.” To get to know Melissa more, you can check out a previous podcast, a skill share on beekeeping, her etsy shop or her blog! Melissa also did a presentation at the June Encaustic Conference, and we’ll be sharing that with you (via Buzz Podcast) later this week. Thanks everyone – and welcome aboard, Melissa! :)
2. Forums:
There’s a growing forum on our team page, so in an effort to consolidate, look for us on our team forum, rather than the etsy forum. You can still find us in etsy forums here (search for “beeswaxteam” in the to find us) but our focus will be on staying connected via our team forum here. We’re continuing the discussion this week on the question “Do you have a portfolio site? If so, is it helpful in terms of marketing?” We’d love to hear your thoughts!
3. One A Day project update
Although not everyone has been able to begin the project yet, 2 of our members have – with beautiful results! Please be sure to check out members Kari Young and Melissa Hronkin’s blogs to see their one-a-day works. Beautiful stuff Kari and Melissa!
Summer heat and melted beeswax,
Week of July 6
Blue Lotus Water by ReneedeMontaigne
Annoucements:
1. The Buzz (Podcast): If you haven’t checked out our latest podcast, be sure to tune in for an interview with Tangledskystudio! To hear this one and previous podcasts, click here.
2. Summer Object Challenge: For all participants, there are a few weeks left to finish your pieces! Please include a photograph of the work, and a brief description to Kathryn at (barnes.kathryn@gmail.com) by July 31st.
3. Team Forum: New poll question this week in our team forum: “Do you have a portfolio website? If so – is it helpful in terms of marketing your artwork?”
4. Ad Space: if you’d like to promote your work, your website, etc with an ad space on our team site, please contact us at info@beeswaxteam.com to set it up.
5. Calls for Encaustic Art: Deadlines are quickly approaching for some of the upcoming encaustic shows. See the Resources section for more information.
Popsicles and beeswax,
Week of June 29
On A Line by VDumas
Annoucements:
1. The Buzz (Podcast): Later this week, another podcast will be launched! Be on the lookout for an email announcement. To hear previous podcasts, click here.
2. Summer Object Challenge: Several members are working away on their pieces. We’re excited to see the results in a few weeks!
3. One A Day project: For those members participating, the project has officially begun. Some have opted to begin at a later date, and some started today! More information will be posted soon on the team website – including links to blogs, pictures, etc. (If you’d like to jump in and be a part of the project, email info@beeswaxteam.com (subject line: one a day project) for more information.
4. Team Forum: New poll question this week in our team forum: “Who or what inspires you to create art?”
5. Happy upcoming Fourth of July!
Fireworks and beeswax,
Third Annual Encaustic Conference Video
This will give you a quick glimpse into what the conference was like. It was a blast meeting several BEE members in person and learning a TON about encaustics and all things wax! :)
Enjoy,
The Buzz #9: Linda Cordner
Shannon and Kathryn interview Linda Cordner, at the 3rd annual Encaustic Conference! Click to play directly from the site, or download to listen. Images and weblinks will appear as we reference different things.
Linda talks about her involvement with New England Wax and the Luminous Landscape show exhibited at the conference. Apologies for the background noise – we were all sitting in the grass, enjoying the summer weather.
Click here if you’d like to subscribe to the The Buzz podcast on iTunes!
The Weekly Buzz………….
A look into the hive…..
Meet Shannon Newby!!
Shannon started the BEE team just over a month ago, and has been actively trying to connect with other encaustic artists worldwide. Her love for encaustics is contagious and she’s full of ideas. :)
Tell us a bit about yourself:
How did you begin working in encaustic?
I first heard about encaustics 2 years ago while I was working at a university. There was an encaustics class offered, so I audited it and fell in love immediately. I think up until then, I had struggled with making the paint do what I wanted it to do and to successfully incorporate collage materials. Working with wax has proven to be a good challenge for me and I can’t get enough of it!
What do you find most rewarding about working with encaustic?
I LOVE how fast the wax dries. I used to enjoy doing oil painting only because of the rich, bold colors were more appealing to me than working with acrylics. But I quickly gave up because I found I got restless waiting for the oil paint to dry. So for me, one of the most rewarding things about working with encaustics is that I get instant results. I enjoy working fast-paced and having to make quick decisions.
Where do you find your inspiration for your work?
As a Christian, I draw my inspiration from all of God’s creation. Many times I will draw inspiration from the Bible itself or from snippets of conversations with friends and family.
Tell us about your process. Do you plan your pieces before you start?
Hmmm…this is a good question. I think my process varies from piece to piece. There are some weeks were I paint whatever comes to me when I sit down to begin painting. Other times, I have labored, thought and prayed through something so much that it just sort of HAS to come out in my artwork. My husband is also an artist, so many times I’ll talk through a concept before I begin a piece of series of works.
Regarding your process….. On the piece pictured, tell us how you put the color on. Is that oil paint or do you paint on encaustic with the mediums you make?
I make all my own colors by taking encaustic medium, and pigmented it with oil paint. For this piece, I painted with my colors, and as a final touch, added bold lines with a big black permanent marker. Sometimes I like to “cheat” by adding ink lines or black marker onto the final layer of my pieces.
What type of supports do you use? Have you tried other supports and/or substrates and if so, how did they work for you?
Mostly, I use masonite or hardwood panels. I have tried working with canvas some, and more recently have begun experimenting with encaustics on rice paper, mounted on plexiglass.
What is your favorite technique and why?
I really love incising and embedding. I love finding little treasures around the house or looking through some books from an antique store to find quirky things to add to my paintings. I also really love working with a blowtorch because it gives the layers a smooth, silky surface.
Regarding your favorite technique…..can you give a brief explanation of what incising or embedding involves?
Incising means actually digging and scraping into the wax. I often take a sharp utensil and carve out lines and shapes. Then with more paint, or with an oil stick, I will rub pigment into the incised lines to “fill” the little crevices I created. With embedding, I take images, text or various buttons or little trinkets and lay them on my piece and add a layer of beeswax around it. Adding clear medium on top will permanently set anything into the piece.
Tell us a bit about your studio and the atmosphere when you create. Do you have a ritual or something you do before you begin or while you are creating?
I almost always paint outside. I have been lucky to have a great patio / porch space to work with. As for rituals, I like to pray before, during and after my work.
Do you have a favorite artist? If so, who and what do you like about them?
Oh man! This is a tough question. I am always finding more encaustic artists that I love. A few of my all-time favorites… Judith Kindler because she’s got such a great style that I really resonate with, and Scott Reilly because I love how he allows the wax to be illuminated from behind in his light paintings.
Do you have any advice for an artist that is just starting to use encaustic medium?
Experiment, experiment, experiment! No one can tell you how to truly work with this medium. You’ll discover other techniques and additions as you go, and that’s the beauty of working with the wax. It’s so diverse and it’s hard to get bored with it!
Can you tell us a bit more about the tutorial for sale in your shop?
The tutorial is an 18-page PDF document that lets people in on the process and a few techniques of encaustic painting. I also share a list of where to get resources (like beeswax, panels, oil sticks, etc). It’s a quick but thorough read for anyone interested in getting started. But by far the best part is the last section where I interview 6 other encaustic artists. Consequently, they are part of the BEE team and have been a great inspiration to me: Kbean, Charmfoundry, Tangledskystudio, Mimidoodles, Michelemaule, Lvhdesigns.
How did you dream up the fantastic BEE team?
I’ve had some great discussions through convos on etsy with several of the BEE members and been so inspired by everyone on the site in general. I thought creating a team would allow a better (and more organized) way for us to network and learn from each other. Long live the BEE team! :)
